Behind the Folk Museum, this fine white dagoba is guarded by a wall with a frieze of hundreds of elephants standing shoulder to shoulder. Apart from a few beside the western entrance, most are modern replacements for the originals from 140 BC.

This dagoba is said to be King Dutugemunu’s finest construction, but he didn’t live to see its completion. However, as he lay on his deathbed, a false bamboo-and-cloth finish was placed around the dagoba so that Dutugemunu’s final sight could be of his ‘completed’ masterpiece. Today, after incurring much damage from invading Indian forces, it rises 55m, considerably less than its original height; nor is its form the same as the earlier ‘bubble’ shape. A limestone statue south of the great dagoba is popularly thought to be of Dutugemunu.

The land around the dagoba is rather like a pleasant green park, dotted with patches of ruins, the remains of ponds and pools, and collections of columns and pillars, all picturesquely leaning in different directions. Slightly southeast of the dagoba, you can see one of Anuradhapura’s many monks’ refectories. Keeping such a number of monks fed and happy was a full-time job for the lay followers.