Běijīng Sights

Ancient Observatory

  • Address
  • Transport
    • Jianguomen
  • Phone
    • 010 6524 2202
  • Price
    • adult Y10
  • Hours
    • 9.30-4.30pm Tue-Sun

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Lonely Planet review for Ancient Observatory

Stargazing is perhaps on the back foot in today’s Běijīng – it could take a supernova to penetrate the haze that frequently blankets the nocturnal sky – but the Chinese capital has a sparkling history of astronomical observation. The observatory is mounted on the battlements of a watchtower lying along the line of the old Ming City Wall and originally dates back to Kublai Khan’s days, when it lay north of the present site. Khan, like later Ming and Qing emperors, relied heavily on astrologers to plan military endeavours. The present observatory – the only surviving example of several constructed during the Jin, Yuan, Ming and Qing dynasties – was built between 1437 and 1446 to facilitate both astrological predictions and seafaring navigation. At ground level is a pleasant courtyard – perfect for parking yourself on a bench and recharging – flanked by halls housing displays (with limited English captions). Also within the courtyard is a reproduction-looking armillary sphere supposedly dating to 1439, supported by four dragons. At the rear is an attractive garden with grass, sundials and a further armillary sphere. Clamber the steps to the roof to admire a mind-boggling array of Jesuit-designed astronomical instruments, embellished with sculptured bronze dragons and other Chinese flourishes – a kind of East and West astronomical fusion. The Jesuits, scholars as well as proselytisers, arrived in 1601 when Matteo Ricci and his associates were permitted to work alongside Chinese scientists. Outdoing the resident calendar-setters, they were given control of the observatory and became the Chinese court’s official advisers. Instruments on display include an Azimuth Theodolite (1715), an Altazimuth (1673) and an Ecliptic Armilla (1673); of the eight on view, six were designed and constructed under the supervision of the Belgian priest Ferdinand Verbiest. It’s not clear which instruments on display are the originals. During the Boxer Rebellion, the instruments disappeared into the hands of the French and Germans. Some were returned in 1902, and others were returned after WWI, under the provisions of the Treaty of Versailles (1919).

 

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