Temple of Athena Nike
The exquisitely proportioned little Temple of Athena Nike once stood on a platform perched atop the steep southwest edge of the...
Although the Parthenon was the most impressive monument of the Acropolis, it was more of a showpiece than a sanctuary. That role fell to...
Asclepion & Stoa of Eumenes
Directly above the Theatre of Dionysos, steps lead to the Asclepion, a temple that was built around a sacred spring. The worship of...
Odeon of Herodes Atticus
This historic Roman amphitheatre, known as the Herodion, is the preeminent arts venue in Athens and hosts the major events of the Athens...
The Acropolis is the most important ancient site in the Western world. Crowned by the Parthenon, it stands sentinel over Athens, visible from almost everywhere within the city. Its monuments of Pentelic marble gleam white in the midday sun and gradually take on a honey hue as the sun sinks, while at night they stand brilliantly illuminated above the city. A glimpse of this magnificent sight cannot fail to exalt your spirit.
Inspiring as these monuments are, they are but faded remnants of Pericles’ city. Pericles spared no expense – only the best materials, architects, sculptors and artists were good enough for a city dedicated to the cult of Athena. The city was a showcase of lavishly coloured colossal buildings and of gargantuan statues, some of bronze, others of marble plated with gold and encrusted with precious stones.
The Acropolis was first inhabited in Neolithic times (4000–3000 BC). The first temples were built during the Mycenaean era in homage to the goddess Athena. People lived on the Acropolis until the late 6th century BC, but in 510 BC the Delphic oracle declared that it should be the province of the gods.
After all the buildings on the Acropolis were reduced to ashes by the Persians on the eve of the Battle of Salamis (480 BC), Pericles set about his ambitious rebuilding program. He transformed the Acropolis into a city of temples, which has come to be regarded as the zenith of classical Greek achievement.
Ravages inflicted during the years of foreign occupation, pilfering by foreign archaeologists, inept renovations following Independence, visitors’ footsteps, earthquakes and, more recently, acid rain and pollution have all taken their toll on the surviving monuments. The worst blow was in 1687 when the Venetians attacked the Turks, opening fire on the Acropolis and causing an explosion in the Parthenon, where the Turks were storing gunpowder, damaging all the buildings.
Major restoration programs are continuing and many of the original sculptures have been moved to the Acropolis Museum and replaced with casts. The Acropolis became a World Heritage–listed site in 1987.
Beulé Gate & Monument of Agrippa
Once inside the site, a little way along the path on your left you will see the Beulé Gate, named after the French archaeologist Ernest Beulé, who uncovered it in 1852. The 8m-high pedestal on the left, halfway up the zigzagging ramp leading to the Propylaia, was once topped by the Monument of Agrippa, a bronze statue of the Roman general riding a chariot, erected in 27 BC to commemorate victory in the Panathenaic Games.
The Propylaia formed the monumental entrance to the Acropolis. Built by Mnesicles between 437 BC and 432 BC, its architectural brilliance ranks with that of the Parthenon. It consists of a central hall with two wings on either side. Each section had a gate, and in ancient times these five gates were the only entrances to the ‘upper city’. The middle gate (which was the largest) opened onto the Panathenaic Way . The imposing western portico of the Propylaia consisted of six double columns, Doric on the outside and Ionic on the inside. The fourth column along has been restored. The ceiling of the central hall was painted with gold stars on a dark-blue background. The northern wing was used as a pinakothiki (art gallery) and the southern wing was the antechamber to the Temple of Athena Nike.
The Propylaia is aligned with the Parthenon – the earliest example of a building designed in relation to another. It remained intact until the 13th century, when various occupiers started adding to it. It was badly damaged in the 17th century when a lightning strike set off an explosion in another Turkish gunpowder store. Archaeologist Heinrich Schliemann paid for the removal of one of its appendages – a Frankish tower – in the 19th century. Reconstruction took place between 1909 and 1917, and again after WWII.
Temple of Athena Nike
The exquisitely proportioned small Temple of Athena Nike stands on a platform perched atop the steep southwest edge of the Acropolis, to the right of the Propylaia. The temple was dismantled piece by piece in 2003 in a controversial move to restore it offsite and is now resplendent after its painstaking reassembly. The Turks also took it apart in 1686 and put a huge cannon on the platform. It was carefully reconstructed between 1836 and 1842, but was taken apart again 60 years later because the platform was crumbling.
Designed by Kallicrates, the temple was built of Pentelic marble between 427 BC and 424 BC. The building is almost square, with four graceful Ionic columns at either end. Only fragments remain of the frieze, which had scenes from mythology, the Battle of Plataea (479 BC) and Athenians fighting Boeotians and Persians. Parts of the frieze are in the Acropolis Museum, as are some relief sculptures, including the beautiful depiction of Athena Nike fastening her sandal. The temple housed a wooden statue of Athena.
Statue of Athena Promachos
Continuing ahead along the Panathenaic Way you will see, to your left, the foundations of pedestals for the statues that once lined the path, including one that held Pheidias’ 9m-high statue of Athena Promachos (promachos means ‘champion’). Symbolising Athenian invincibility against the Persians, the helmeted goddess held a shield in her left hand and a spear in her right. The statue was carted off to Constantinople by Emperor Theodosius in AD 426. By 1204 it had lost its spear, so the hand appeared to be gesturing. This led the inhabitants to believe that the statue had beckoned the Crusaders to the city, so they smashed it to pieces.
The Parthenon is the monument that more than any other epitomises the glory of Ancient Greece. Parthenon means ‘virgin’s apartment’ and it is dedicated to Athena Parthenos, the goddess embodying the power and prestige of the city. The largest Doric temple ever completed in Greece, and the only one built completely of Pentelic marble (apart from the wood in its roof), it took 15 years to complete.
Built on the highest part of the Acropolis, the Parthenon had a dual purpose – to house the great statue of Athena commissioned by Pericles, and to serve as the new treasury. It was built on the site of at least four earlier temples dedicated to Athena. It was designed by Iktinos and Kallicrates to be the pre-eminent monument of the Acropolis and was completed in time for the Great Panathenaic Festival of 438 BC.
The temple consisted of eight fluted Doric columns at either end and 17 on each side. To achieve perfect form, its lines were ingeniously curved to create an optical illusion – the foundations are slightly concave and the columns are slightly convex to make both look straight. Supervised by Pheidias, the sculptors Agoracritos and Alcamenes worked on the architectural sculptures of the Parthenon, including the pediments, frieze and metopes, which were brightly coloured and gilded.
The metopes on the eastern side depicted the Olympian gods fighting the giants, and on the western side they showed Theseus leading the Athenian youths into battle against the Amazons. The southern metopes illustrated the contest of the Lapiths and Centaurs at a marriage feast, while the northern ones depicted the sacking of Troy.
Much of the frieze depicting the Panathenaic Procession was damaged in the explosion of 1687 or later defaced by the Christians, but the greatest existing part (over 75m long) consists of the controversial Parthenon Marbles, taken by Lord Elgin and now in the British Museum in London. The British government continues to ignore campaigns for their return.
The ceiling of the Parthenon, like that of the Propylaia, was painted blue and gilded with stars. At the eastern end was the holy cella (inner room of a temple), into which only a few privileged initiates could enter. Here stood the statue for which the temple was built – the Athena Polias (Athena of the City), considered one of the wonders of the ancient world. Designed by Pheidias and completed in 432 BC, it was gold-plated over an inner wooden frame and stood almost 12m high on its pedestal. The face, hands and feet were made of ivory, and the eyes were fashioned from jewels. Clad in a long gold dress with the head of Medusa carved in ivory on her breast, the goddess held a statuette of Nike (the goddess of victory) in her right hand, and in her left a spear with a serpent at its base. On top of her helmet was a sphinx with griffins in relief at either side.
In AD 426 the statue was taken to Constantinople, where it disappeared. There is a Roman copy (the Athena Varvakeion) in the National Archaeological Museum.
Although the Parthenon was the most impressive monument of the Acropolis, it was more a showpiece than a sanctuary. That role fell to the Erechtheion, built on the part of the Acropolis held most sacred, where Poseidon struck the ground with his trident, and where Athena produced the olive tree. Named after Erechtheus, a mythical king of Athens, the temple housed the cults of Athena, Poseidon and Erechtheus.
The Erechtheion is immediately recognisable by the six larger-than-life maiden columns, the Caryatids (so called because they were modelled on women from Karyai, modern-day Karyes, in Lakonia), that support its southern portico. Those you see are plaster casts. The originals (except for one removed by Lord Elgin, and now in the British Museum) are in the Acropolis Museum.
The Erechtheion was part of Pericles’ plan, but the project was postponed after the outbreak of the Peloponnesian Wars. Work did not start until 421 BC, eight years after his death, and was completed around 406 BC.
Architecturally it is the most unusual monument of the Acropolis, a supreme example of Ionic architecture ingeniously built on several levels to counteract the uneven bedrock. The main temple is divided into two cellae – one dedicated to Athena, the other to Poseidon – representing a reconciliation of the two deities after their contest. In Athena’s cella stood an olive-wood statue of Athena Polias holding a shield adorned with a gorgon’s head. It was this statue on which the sacred peplos was placed at the culmination of the Great Panathenaic Festival.
The northern porch consists of six Ionic columns; on the floor are the fissures supposedly left by the thunderbolt sent by Zeus to kill Erechtheus. To the south of here was the Cecropion – King Cecrops’ burial place.
Except for a small temple of Rome and Augustus, which is no longer in existence, the Erechtheion was the last public building erected on the Acropolis in antiquity.