Built around AD 1300 and covering 20 sq km, Chan Chan is the largest pre-Columbian city in the Americas, and the largest adobe city in the world. Although it must have been a dazzling sight at one time, devastating El Niño floods and heavy rainfall have severely eroded much of the outer portions of the city. You can still visit the impressive restored Tschudi complex and revel in the broad plazas, royal burial chamber and intricate designs that remain.
The best option for a visit is with an organized guided tour from Trujillo or with a local site tour guide, as signage is extremely limited. Much of the site is covered with tent-like structures to protect from erosion.
At the height of the Chimú empire, Chan Chan housed an estimated 60,000 inhabitants and contained a vast wealth of gold, silver and ceramics. The wealth remained more or less undisturbed after the Incas conquered the city, but once the Spaniards hit the stage, the looting began. Within a few decades little but gold dust remained. Remnants of what was found can be seen in museums nearby.
The Chimú capital consisted of 10 walled citadels, also called royal compounds. Each contained a royal burial mound filled with vast quantities of funerary offerings, including dozens of sacrificed young women and chambers full of ceramics, weavings and jewelry.
The Tschudi Complex, named after a Swiss naturalist, is the only section of Chan Chan that’s partially restored. It is possible that other areas will open in the future, but until they are properly policed and signed, you run the risk of being mugged if you visit them.
At the Tschudi Complex you’ll find an entrance area with tickets, snacks, souvenirs, bathrooms, the small Museo de Sitio Chan Chan with information in English and Spanish, and guides. The complex is well marked by fish-shaped pointers, so you can see everything without a guide if you prefer.
Also called the Palacio Nik-An, the complex’s centerpiece is a massive, restored Ceremonial Courtyard, whose 4m-thick interior walls are mostly decorated with recreated geometric designs. The ground-level designs closest to the door, representing three or four sea otters, are the only originals left and remarkably better preserved than many of the recreations. A ramp at the far side of the high-walled plaza enters the 2nd level (early wheelchair access?). Though all the Chan Chan walls have crumbled with time, parts of Tschudi’s walls once stood more than 10m high.
Head out of the Ceremonial Courtyard and walk along the outside wall, one of the most highly decorated and best restored of Tschudi’s walls. The adobe friezes show waves of fish rippling along the entire length of the wall above a line of seabirds. Despite their time-worn appearance, the few rougher-looking originals retain a fluidity and character somehow lacking in the contemporary version.
At the end of this wall, the marked path goes through the labyrinthine Audience Rooms. Their function is unclear, but their importance is evident in both the quantity and quality of the decorations – the rooms have the most interesting friezes in Tschudi. Living so close to the ocean, the Chimú based much of their diet on seafood, and the importance of the sea reached venerable proportions. Fish, waves, seabirds and sea mammals are represented throughout the city, and in the Audience Rooms you’ll find all of them in the one place. For the Chimú, both the moon and the sea were of religious importance (unlike the Incas, who worshipped the sun and venerated the earth).
Further on, the Second Ceremonial Courtyard also has a ramp to the 2nd level. West of this Plaza, you visit the Gran Hachaque Ceremonial, a freshwater pool surrounded by a verdant border of reeds and grasses. This was no doubt an important space for ceremonial life.
To the left is an area of several dozen small, crumbling cells that has been called the Almacenes (warehouses). Perhaps soldiers lived here, or the cells may have been used for storage. Next is the Mausoleum, where a king was buried along with human sacrifices and ceremonial objects. To the left of the main tomb, a pyramid containing the bodies of dozens of young women was found.
The final area is the Assembly Room. This large rectangular room has 24 seats set into niches in the walls, and its amazing acoustic properties are such that speakers sitting in any one of the niches can be clearly heard all over the room.
The site museum contains exhibits explaining Chan Chan and the Chimú culture. It is on the main road, about 500m before the Chan Chan turnoff. The museum has a few signs in Spanish and English but a guide is still useful. A sound-and-light show plays in Spanish every 30 minutes. The aerial photos and maps showing the huge extension of Chan Chan are fascinating, as tourists can only visit a tiny portion of the site.
Combis to Chan Chan (S1.50) leave Trujillo every few minutes, passing the corners of España and Ejército, and España and Industrial. A taxi from Trujillo runs S10.