North of the Brihadishwara temple compound, but still within the outer fortifications, are a park containing the Sivaganga tank, and...
North of the Brihadishwara temple compound, but still within the outer fortifications, is a park containing the Sivaganga tank.
Come here twice: in the morning, when the tawny granite begins to assert its dominance over the white dawn sunshine, and in the evening,...
The most popular of several veg places facing the local bus stand downtown, Vasanta Bhavan doles out biryani and North Indian curries as...
Royal Palace information
Thanjavur’s royal palace is a mixed bag of ruin and renovation, superb art and random royal paraphernalia. The maze-like complex was constructed partly by the Nayaks who took over Thanjavur in 1535, and partly by a local Maratha dynasty that ruled from 1676 to 1855. The two don't-miss sections are the Saraswati Mahal Library Museum and the Art Gallery.
Seven different sections of the palace can be visited – and you'll need three different tickets to see them all! The Art Gallery and Saraswati Mahal Library Museum are included in the ‘full’ ticket, along with the Mahratta Dharbar Hall, the bell tower, and the Saarjah Madi. The main entrance is from the north, via a lane off East Main Street. On the way in you’ll come to the main ticket office, followed by the Maratha Palace complex.
Past the ticket office, a passage to the left leads to, first, the Royal Palace Museum , a small miscellany of sculptures, weaponry, elephant bells and rajas’ headgears; second, the Maharaja Serfoji Memorial Hall , commemorating the enlightened Maratha scholar-king Serfoji II (1798–1832), with a better collection overlooking a once-splendid, now crumbling courtyard; and third, the Mahratta Dharbar Hall , where Maratha rulers gave audience in a grand but faded pavilion adorned with colourful murals, including their own portraits behind the dais.
As you exit the passage, the fabulous little Sarawasti Mahal Library Museum is on your left. Perhaps Serfoji II’s greatest contribution to posterity, this is testimony both to the 19th-century obsession with knowledge accumulation and to an eclectic mind that collected prints of Chinese torture methods, Audubon-style paintings of Indian flora and fauna, world atlases and rare medieval books. Serfoji amassed more than 65,000 books and 50,000 palm-leaf paper manuscripts in Indian and European languages, though most aren’t displayed.
Leaving the library, turn left for the Art Gallery , set around the Nayak Palace courtyard. This contains a collection of superb, mainly Chola, bronzes and stone carvings, and one of its rooms, the 1600 Nayak Durbar Hall, has a statue of Serfoji II. From the courtyard, steps lead part of the way up a large gopuram -like tower to a whale skeleton said to have been washed up in Tranquebar.
The renovated Saarjah Madi is best admired from East Main Rd for its ornate balconies.