Chiesa Di San Giorgio Maggiore

Lonely Planet review

Palladio's grand church occupies one of the most prominent positions in Venice and, although it inspired mixed reactions among the architect's contemporaries (not everyone was fond of the classical tones and indeed Palladio was denied many major commissions in Venice), it had a significant influence on late Renaissance architecture. Built between 1565 and 1580, it is his most imposing structure in the city.

The façade, although not erected until the following century, is believed to conform to Palladio's wishes. The massive columns on high plinths, the crowning tympanum and the statues all contain an element of sculptural chiaroscuro, casting deep shadows and reinforcing the impression of strength. Indeed, facing the Bacino di San Marco and the heart of Venice, its effect is deliberately theatrical. Inside, the sculptural decoration is sparse, the open space regimented by powerful clusters of columns and covered by luminous vaults.

San Giorgio Maggiore's art treasures include works by Tintoretto: an Ultima Cena (Last Supper) and the Raccolta della Manna (Shower of Manna) on the walls of the high altar, and a Deposizione (Deposition) in the Cappella dei Morti. Take the lift to the top of the 60m-high bell tower for an extraordinary view.