Duomo

sights / Religious

Duomo information

Location
Pisa , Italy
Address
Piazza dei Miracoli
More information
www.opapisa.it
Prices
admission free (with ticket for one of the other Piazza dei Miracoli sights or with coupon from ticket office)
Opening hours
10am-12.45pm & 2-4.30pm Jan-Feb & Nov-Dec, 10am-5.30pm Mar, 10am-7.30pm Apr-Sep, 10am-6.30pm Oct
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Pisa's cathedral was paid for with spoils brought home after Pisans attacked an Arab fleet entering Palermo in 1063. Begun a year later, the cathedral, with its striking cladding of alternating bands of green and cream marble, became the blueprint floor for Romanesque churches throughout Tuscany. The elliptical dome, the first of its kind in Europe at the time, was added in 1380.

The cathedral was the largest in Europe when it was constructed; its breathtaking proportions were designed to demonstrate Pisa's domination of the Mediterranean. Its main facade – not completed until the 13th century – has four exquisite tiers of columns diminishing skywards, while the vast interior, 96m long and 28m high, is propped up by 68 hefty granite columns in classical style. The wooden ceiling decorated with 24-carat gold is a legacy from the period of Medici rule.

Before stepping foot in the cathedral, study the three pairs of 16th-century bronze doors at the main entrance. Designed by the school of Giambologna to replace the wooden originals destroyed (along with most of the cathedral interior) by fire in 1596, the doors are quite spellbinding – hours can be spent deciphering the biblical scenes illustrating the immaculate conception of the Virgin and birth of Christ (central doors), the road to Calvary and crucifixion of Christ etc, and the Ministry of Christ. Kids can play spot the rhino.

Inside, don't miss the extraordinary early-14th-century octagonal pulpit in the north aisle. Sculpted from Carrara marble by Giovanni Pisano and featuring nude and heroic figures, its depth of detail and heightening of feeling brought a new pictorial expressionism and life to Gothic sculpture. Pisano's work forms a striking contrast to the controversial 2001 pulpit and altar by Italian sculptor Giuliano Vangi.