PisaSights

Religious, Spiritual sights in Pisa

  1. A

    Duomo

    Pisa's duomo was paid for with spoils brought home after Pisans attacked an Arab fleet entering Palermo in 1063. Begun a year later, the cathedral, with its striking cladding of alternating bands of green and cream marble, became the blueprint floor for Romanesque churches throughout Tuscany. The elliptical dome, the first of its kind in Europe at the time, was added in 1380.

    It is the three pairs of firmly closed, 16th-century bronze doors of the main entrance (west), designed by the school of Giambologna to replace the wooden originals destroyed (along with most of the cathedral interior) by fire in 1596, which the crowds ogle over. Quite spellbinding, hours can be spen…

    reviewed

  2. B

    Chiesa di Santa Maria della Spina

    One of Pisa’s architectural gems is the Chiesa di Santa Maria della Spina. A fine example of Pisan-Gothic style, this now-deconsecrated church was built between 1223 and 1230 to house a reliquary of a spina (thorn) from Christ’s crown. Its ornately spired exterior is encrusted with tabernacles and statues but the interior is simple and perfectly suited to quiet reflection. Inside, the focal point is Andrea and Nino Pisano’s Madonna and Child (aka Madonna of the Rose, 1345–48), a masterpiece of Gothic sculpture that still bears traces of its original colours and gilding. At the other end of the church is a copy of the graceful Madonna del Latte (Our Lady of Milk, 1…

    reviewed

  3. C

    Battistero

    The unusual, round Battisero has one dome piled on top of another, each roofed half in lead, half in tiles. Construction began in 1152, but it was notably remodelled and continued by Nicola and Giovanni Pisano more than a century later and was finally completed in the 14th century – hence its hybrid architectural style.

    Inside, the beautiful hexagonal pulpit carved by Nicola Pisano between 1259–60 is the undisputed highlight. Inspired by the Roman sarcophagi in the Camposanto, Pisano used powerful classical models to enact scenes from biblical legend. His figure of Daniel, who supports one of the corners of the pulpit on his shoulders, was clearly modelled on an ancient…

    reviewed

  4. D

    Chiesa di Santo Stefano dei Cavalieri

    Vasari designed the church, Chiesa di Santo Stefano dei Cavalieri.

    reviewed