East Of MilanSights

Sights in East Of Milan

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  1. Palazzo Te

    The main reason to visit Mantua’s other Gonzaga palace, Palazzo Te isn’t its modern art and Egyptian displays, but the fanciful 16th-century palace itself. Built by Giulio Romano, over-the-top rooms include the Camera dei Giganti, one of the most fantastic and frightening creations of the Renaissance, adorned with dramatic frescoes depicting Jupiter’s destruction of the Titans.

    reviewed

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    Castello di San Giorgio

    Palazzo Ducale's centrepiece is Castello di San Giorgio, overflowing with works of art collected by the Gonzaga family, Mantua's long-time rulers. Don't miss Andrea Mantegna's Camera degli Sposi, a wonderful series of frescoes executed by the master between 1465 and 1474 in one of the castle's towers. The trompe l'oeil oculus adds a playful touch to the more formal family scenes.

    Other rooms worth pausing over include the Sala del Pisanello, decorated with unfinished 15th-century frescoes of Arthurian legends by Pisanello, the heavily frescoed Sala di Troia and the Camera dello Zodiaco, with its magnificent deep-blue ceiling festooned with figures from the zodiac. Equally…

    reviewed

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    Basilica di Sant’Andrea

    The elaborate baroque cupola of Basilica di Sant’Andrea lords it over the city. Designed by Leon Battista Alberti in 1472, it safeguards a much-disputed relic: golden vessels said to hold earth soaked by the blood of Christ. Longinus, the Roman soldier who speared Christ on the cross, is said to have scooped up the earth and buried it in Mantua after leaving Palestine. Today, these containers rest beneath a marble octagon in front of the altar and are paraded around the town in a grand procession on Good Friday. There is no dispute about the tomb of Andrea Mantegna, also inside the basilica.

    reviewed

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    Cattedrale

    Cremona’s stately Cattedrale started out as a Romanesque basilica, but by the time it was finished in 1190, it was heavily overtaken by Gothic modishness. The main facade also bears some distinct Renaissance touches, in keeping with paintings of the same period by such masters as Boccaccio Boccaccino, Giulio Campi and Gian Francesco Bembo. For some, the remnants of earlier frescoes, uncovered during work in the early 1990s, will be more intriguing. They include a vast scene of the Crucifixion above the central doorway.

    reviewed

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    Gaspar Borchardt

    Home of the prized Stradivari violin, Cremona is the premier exponent of the delicate art of making the perfect stringed instrument. All of the great violin-making dynasties started here, including Amati, Guarneri and Stradivari.

    Today there are 100 violin-making workshops in the streets around the Piazza del Comune that can be visited, including Gaspar Borchardt. The tourist office has a list, and can advise on those where English is spoken.

    reviewed

  6. Piazza del Comune

    Like most Lombard towns, Cremona was an independent comune until the 14th century, when the Viscontis of Milan added it to their growing collection. To maintain the difference between the secular and spiritual, buildings connected with the Church were erected on the eastern side of Piazza del Comune, and those concerned with secular affairs were constructed across the way. On Sundays, the piazza is filled with antique stalls.

    reviewed

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    Basilica di Santa Maria Maggiore

    Begun in 1137, the Basilica di Santa Maria Maggiore is quite a mishmash. To its whirl of Romanesque apses (on which some external frescoes remain visible), Gothic additions were slapped on. A more obvious addition is the busy Renaissance Cappella Colleoni, on the side facing the Piazza del Duomo. Detached from the church is the octagonal baptistry.

    reviewed

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    Museo della Città

    Inside the rambling Monastero di Santa Giulia & Basilica di San Salvatore complex is the Museo della Città, where artefacts from the Roman town are on show, including some intricate mosaics. The star piece of the collection is the 8th-century Croce di Desiderio, a Lombard cross encrusted with hundreds of jewels.

    reviewed

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    La Rocca

    The 19th-century section of Museo Storico della Città is located in the fortress La Rocca, whose round tower dates from Bergamo’s days as a Venetian outpost. La Rocca keeps the same hours as the main museum. The same ticket covers entry here and also to La Rocca’s surrounding park, with sweeping views over Bergamo.

    reviewed

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    Torre del Campanone

    Across the square from the Palazzo della Ragione, the colossal, square-based Torre del Campanone tolls the old 10pm curfew. There’s a wheelchair-accessible lift to the top of the tower. For €5 you get entry to the tower and other sights around the city, including La Rocca and the Museo Donizettiano.

    reviewed

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    Accademia Carrara

    Just east of the walls is one of Italy’s great art repositories, Accademia Carrara. Founded in 1780, it contains an exceptional range of Italian masters. Raphael’s San Sebastiano is a highlight, but other artists represented include Botticelli, Canaletto, Mantegna and Titian.

    reviewed

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    Duomo Vecchio

    The most compelling of all Brescia’s religious monuments is the 11th-century Duomo Vecchio, a rare example of a circular-plan Romanesque basilica, built over a 6th-century church. Interesting features include fragmentary floor mosaics and the elaborate 14th-century sarcophagus of Bishop Berado Maggi.

    reviewed

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    Castello

    Brescia’s historic centre is dominated by a hill, Colle Cidneo, crowned with the rambling Castello, which for centuries was at the core of the city defences. Torre Mirabella, the main round tower, was built by the Viscontis in the 13th century.

    reviewed

  15. Casa Mantegna

    In 1476, the ruling Gonzaga family gave Andrea Mantegna land on which to build himself a house. You can see the results, now used as exhibition space in the Casa Mantegna. The sobre facade gives way to a series of rooms built around a unique, cylindrical courtyard.

    reviewed

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    Monastero di Santa Giulia & Basilica di San Salvatore

    About 50m east of the Tempio Capitolino along Via dei Musei, cobbled Vicolo del Fontanon leads to the well-preserved ruins of a Roman theatre. Continuing east you'll reach Brescia's most intriguing sight - the jumbled Monastero di Santa Giulia & Basilica di San Salvatore.

    reviewed

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    Rotonda di San Lorenzo

    South of the Basilica di Sant’Andrea, across 15th-century colonnaded Piazza delle Erbe, is the 11th-century Romanesque Rotonda di San Lorenzo, sunk below the level of the square and believed to stand on the site of a Roman temple dedicated to Venus.

    reviewed

  18. Parco dell Scienza

    A riverside promenade with an informative twist, the Parco dell Scienza stretches along the shore of Lago di Mezzo from Porta San Giorgio to Porta Molina. Information panels and gadgets illustrate various physical and scientific phenomena in a kid-friendly fashion.

    reviewed

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    Torre della Gabbia

    Enter Piazza Sordello from the south and on your left you have the grand house of the Gonzagas' predecessors, the Bonacolsi clan. Hapless prisoners used to be dangled in a cage from the tower, aptly called the Torre della Gabbia - Cage Tower.

    reviewed

  20. Santuario di Santa Maria delle Grazie

    On Lago Superiore, 8km from Mantua in Grazie di Curtatone, is the Lombard Gothic-style Santuario di Santa Maria delle Grazie, built in 1406 in thanks for the end of the Black Death. Inside are 53 life-size papier-mâché statues.

    reviewed

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    Galleria d’Arte Moderna e Contemporanea

    The Galleria d’Arte Moderna e Contemporanea displays the academy’s small permanent collection of modern works by Italian artists such as Giacomo Balla, Giorgio Morandi, Giorgio de Chirico and Filippo de Pisis.

    reviewed

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    Cattedrale

    The Cattedrale pales before the magnificence of the Basilica di Sant’Andrea. The facade was erected in the mid-18th century, while the decoration inside was completed by Giulio Romano after a fire in 1545.

    reviewed

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    Palazzo Broletto

    Past the 13th-century Palazzo della Ragione is Palazzo Broletto, which dominates neighbouring Piazza Broletto. In a niche on the façade is a seated figure wearing a doctor's cap, which is said to represent Virgil.

    reviewed

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    Palazzo della Ragione

    In the Palazzo della Ragione, which runs the length of the square from the Rotonda and was once the seat of secular power in the city, you can see exhibitions of varying interest (usually free).

    reviewed

  26. Triennale Internazionale degli Strumenti ad Arco

    Various events dedicated to violin-making take place each year, while the Triennale Internazionale degli Strumenti ad Arco is held in Cremona every third year in October; the next will be in 2009 and 2012.

    reviewed

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    Pinacoteca Civica Tosio-Martinengo

    Pinacoteca Civica Tosio-Martinengo features works by artists of the Brescian school, as well as some by Raphael, Lorenzo Lotto and Luca Giordano. It is closed for restoration until 2011.

    reviewed