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Parma

Sights in Parma

  1. A

    Piazza del Duomo

    From the outside, Parma’s Duomo, consecrated in 1106, is classic Lombard-Romanesque. Inside, the gilded pulpit and ornate lamp-holders all scream baroque bombast. But there are some genuine treasures here: up in the dome, Antonio Correggio’s Assunzione della Vergine (Assumption of the Virgin) is a kaleidoscopic swirl of cherubims and whirling angels, while down in the southern transept, Benedetto Antelami’s Deposizione (Descent from the Cross; 1178) relief is considered a masterpiece of its type.

    reviewed

  2. B

    Battistero

    Antelami was responsible for the octagonal pink-marble battistero on the south side of the piazza del duomo. Combining Romanesque and Gothic styles, it features some of Antelami’s best work, including a cele­brated set of figures representing the months, seasons and signs of the zodiac. Work began on the baptistry in 1196 but wasn’t completed until 1307 thanks to several interruptions, most notably when the supply of pink Verona marble ran out.

    reviewed

  3. C

    Galleria Nazionale

    Tthe Galleria Nazionale displays Parma’s main art collection. Alongside works by local artists Correggio and Parmigianino, you’ll find paintings by Fra Angelico, Canaletto and El Greco. Before you get to the gallery, though, you’ll pass through the Teatro Farnese, a copy of Andrea Palladio’s Teatro Olimpico in Vicenza. Constructed entirely out of wood, it was almost completely rebuilt after being bombed in WWII.

    reviewed

  4. D

    Palazzo della Pilotta

    Looming over Piazza della Pace's manicured lawns and modern fountains, the monumental Palazzo della Pilotta is hard to miss. Supposedly named after the Spanish ball game of pelota that was once played within its walls, it was originally built for the Farnese family between 1583 and 1622. Heavily bombed in WWII, it has since been largely rebuilt and today houses several museums.

    reviewed

  5. E

    Cathedral of Parma

    One of Parma's many visit-worthy churches, the cathedral (Duomo di Parma) has a deceptive face - its classically restrained Lombard-Romanesque façade hides a gilded confection of high baroque bombast. However, individual frescoes and sculptures rise above the frippery. Look up to the dome for a 16th-century masterwork - Correggio's Assumption of the Virgin.

    reviewed

  6. F

    Lombardi Museum

    Of all Parma's rulers, Marie Louise of Austria is most beloved in her petite capitale. Napoleon's second wife, she embraced her little domain after brief tenure as Empress of France. Some of her belongings are in this recently revamped museum (Museo Glauco Lombardi), courtesy of an eponymous local collector. His miscellany illuminates Parma's long history.

    reviewed

  7. G

    Farnese Theatre

    Rebuilt to original plans after WWII bombing, this theatre (Teatro Farnese) is almost entirely made out of wood. The great Monteverdi, frustrated by the theatre's acoustic problems before its inaugural event in 1628, was forced to put his orchestra in a pit below the stage - long before 19th-century composer Wagner established this modern practice.

    reviewed

  8. H

    Piazza Garibaldi

    On the site of the ancient Roman forum, Piazza Garibaldi is a lively hub bisected by Parma's main east-west artery, Via Mazzini, and its continuation, Strada della Repubblica. On the square's north side, the façade of the 17th-century Palazzo del Governatore, these days municipal offices, sports a giant sundial, added in 1829.

    reviewed

  9. I

    Chiesa di Santa Maria della Steccata

    Behind the Palazzo del Governatore in the Chiesa di Santa Maria della Steccata, you’ll find some of Parmigianino’s most extraordinary work, notably the stunning, if rather faded, frescoes on the arches above the altar. Many members of the ruling Farnese and Bourbon families lie buried here.

    reviewed

  10. J

    Museo di Glauco Lombardi

    The Museo di Glauco Lombardi has a miscellaneous collection of clothes, paintings, furniture and historical knick-knacks. Many of the exhibits once belonged to Marie-Louise of Austria, who ruled Parma following her husband Napoleon’s defeat at Waterloo.

    reviewed

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  12. K

    Casa Natale di Toscanini

    Casa Natale di Toscanini is the birthplace of Italy’s greatest modern conductor, Arturo Toscanini (1867–1957).

    reviewed

  13. L

    Parco Ducale

    Stretching along the west bank of the Parma, the formal gardens of the Parco Ducale were laid out in 1560 around the Farnese family’s Palazzo Ducale, which now serves as headquarters of the provincial carabinieri (military police).

    reviewed

  14. M

    Chiesa di San Giovanni Evangelista

    East of Piazza del Duomo, the 16th-century Chiesa di San Giovanni Evangelista is noted for its magnificent frescoed dome, the work of Correggio, and a series of frescoes by Francesco Parmigianino.

    reviewed

  15. N

    Museo Diocesano

    In the cellars of the former bishop’s palace, the Museo Diocesano statues are displayed. Highlights include a finely sculpted Solomon and Sheba and a 5th-­century early Christian mosaic, which was discovered under Piazza del Duomo.

    reviewed

  16. O

    Monastery

    The Monastery adjoining the Chiesa di San Giovanni Evangelista is known as much for the oils and unguents that its monks produce, as for its Renaissance cloisters.

    reviewed

  17. P

    Museo Archeologico Nazionale

    For a change of period, the Museo Archeologico Nazionale exhibits Roman artefacts discovered around Parma and Etruscan finds from the Po valley.

    reviewed

  18. Q

    Spezieria di San Giovanni

    The Spezieria di San Giovanni is the monastery’s ancient pharmacy, which still has its original interior.

    reviewed

  19. R

    Camera di San Paolo

    The Camera di San Paolo in the convent of the same name, displays frescoes by the prolific Correggio.

    reviewed

  20. S

    Duomo

    From the outside, Parma’s Duomo, consecrated in 1106, is classic Lombard-Romanesque. Inside, the gilded pulpit and ornate lamp-holders all scream baroque bombast. But there are some genuine treasures here: up in the dome, Antonio Correggio’s Assunzione della Vergine (Assumption of the Virgin) is a kaleidoscopic swirl of cherubims and whirling angels, while down in the southern transept, Benedetto Antelami’s Deposizione (Descent from the Cross; 1178) relief is considered a masterpiece of its type.

    reviewed