Sights in Weimar
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Neues Museum
The Neues Museum houses works of contemporary art in Weimar. The complex was built in 1863, as a gallery exclusively for works relating to Homer's Odyssey, but another odyssey occurred after it was used as a Halle der Volksgemeinschaft (literally 'people's solidarity hall') by the Nazis, and was then renamed Karl-Marx-Platz under the GDR.
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Goethe Nationalmuseum
Less about the great man of letters himself than his epoch, the Goethe Nationalmuseum focuses on the late 17th- and early 18th-century, a period referred to as Weimar Classicism. Goethe, Schiller, his ducal patrons (Anna Amalia and Carl August), his muse (Charlotte von Stein) and various cultural spear-carriers feature in this loose collection of paintings, books, busts, letters and other objets d'art.
Part of the museum complex, the Faustina café has a controversial Christoph Hodgson mural depicting Weimar's glorious Who's Who; lurking among the famous faces - with a couple of amusing touches - is one Adolf Hitler.
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Haus Hohe Pappeln
Belgian art-nouveau architect, designer and painter, Henry van de Velde is considered a pioneer of modernity. In 1902, he founded the arts and crafts seminar in Weimar that Walter Gropius later developed into the Bauhaus. For nine years, starting in 1908, van de Velde and his family lived in the Haus Hohe Pappeln, which looks a bit like a ship on its side and features natural stone, stylised chimneys, loggias and oversized windows. One floor is open for touring and features furniture that van de Velde designed for a local family. To get here, take bus 1 or 12 to Papiergraben.
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Herzogin Anna Amalia Bibliothek
The phoenixlike rebirth of Anna Amalia's precious library following a 2004 fire is nothing short of a miracle. These days, the magnificent Rokokosaal (Rococo Hall) is again crammed with 40,000 tomes once used for research purposes by Goethe, Schiller and other Weimar hotshots. Scholars may still borrow the books; for the rest of us, the fine busts and paintings of these men are just as interesting. Entry is by timed ticket and capped at 250 people per day, so book in advance or start queuing before the ticket office opens at 9.30am.
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Goethe Haus
No other individual is as closely associated with Weimar as Johann Wolfgang von Goethe, who lived in this town from 1775 until his death in 1832, the last 50 years in what is now the Goethe Haus. This is where he worked, studied, researched and penned Faust and other immortal works. If you're a Goethe fan, you'll get the chills when seeing his study and the bedroom where he died, both preserved in their original state. To get the most from your visit, get the audioguide (€2).
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Schiller Haus
Dramatist and Goethe buddy Friedrich von Schiller lived in Weimar from 1799 until his early death in 1805. Unlike Goethe, however, he had to buy his own house, now the Schiller Haus. Study up on the man, his family and life in Thuringia in a new permanent exhibit before plunging on to the private quarters, including the study with his deathbed and the desk where he wrote Wilhelm Tell and other famous works.
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Bauhaus Museum
Considering that Weimar is the birthplace of the influential Bauhaus school, the Bauhaus Museum is a rather modest affair. But if all goes according to plan, that'll change when it moves into splashy new digs in 2013. Meanwhile, the old building will present temporary exhibits on the group's profound impact on modern design and construction. How profound?
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Schloss Tiefurt
A few kilometres east of the Hauptbahnhof, Tiefurt Park is an English-style garden that embraces Schloss Tiefurt, Anna Amalia's 'temple of the muses'. The period rooms give you an impression of the age and her intellectual round-table gatherings where Goethe, Schiller and Herder were regulars. Bus 3 from Goetheplatz goes out here.
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Weimar Haus
The Weimar Haus is a history museum for people who hate history museums. Sets, sound and light effects, wax figures and even an animatronic Goethe accompany you on your 30-minute journey into Thuringia's past, from prehistory to the Enlightenment. The production values can be comical, but the entertainment factor is inarguably high.
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Stadtkirche St Peter und Paul
Herder- platz is dominated by the Stadtkirche St Peter und Paul, popularly known as the Herderkirche after Johann Gottfried Herder, who's buried inside. The church has a famous altarpiece (1555), painted by the Cranach father-and-son team, and a triptych showing Martin Luther as a knight, professor and monk.
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Goethes Gartenhaus
The sprawling Park an der Ilm (Ilm Park), just east of the Altstadt, is as inspiring and romantic now as it was when Goethe lived here from 1776 until 1782 in what is now Goethes Gartenhaus. By giving him this simple cottage, Carl August successfully induced Goethe to stay in Weimar.
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Liszt Haus
On the western edge of Ilm Park, is the Liszt Haus. The composer and pianist Franz Liszt resided in Weimar in 1848 and again from 1869 to 1886 in this house, when he wrote Hungarian Rhapsody and Faust Symphony.
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Schloss Belvedere
The lovely Belvedere Park harbours Carl August's former hunting palace, the Schloss Belvedere. It displays glass, porcelain, faience and weapons from the late 17th and 18th centuries.
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Römisches Haus
The duke's summer retreat, built under Goethe's supervision. Perched on top of an artificial bluff, Weimar's first neoclassical house now contains restored period rooms and an exhibit on Ilm Park.
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Liszt-Museum
This is where the composer and pianist resided in Weimar in 1848 and again from 1869 to 1886, writing such key works as the Hungarian Rhapsodies and the Faust Symphony.
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Fürstengruft
Both Goethe and Schiller are interred at the Historischer Friedhof (Historical Cemetery) in the neoclassical Fürstengruft, along with Duke Carl August.
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Schlossmuseum
The Schlossmuseum has art by Albrecht Dürer, Dutch masters and German romanticists. Several restored rooms are also open for touring.
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Haus Am Horn
The only Bauhaus building ever constructed in Weimar is Georg Muche's Haus am Horn. Today, it's used for exhibitions and events.
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Nietzsche Archiv
Van de Velde also added an art-nouveau touch to the Nietzsche Archiv, where the philosopher spent his final years in illness.
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