Saqqara Sights

Zoser's Funerary Complex

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Lonely Planet review for Zoser's Funerary Complex

The hypostyle hall leads into the Great South Court, a huge open area flanking the south side of the pyramid, with a section of wall featuring a frieze of cobras. The cobra, or uraeus, represented the goddess Wadjet, a fire-spitting agent of destruction and protector of the pharaoh. It was a symbol of Egyptian royalty, and a rearing cobra always appeared on the brow of a pharaoh's headdress or crown.

Near the base of the pyramid is an altar, and in the centre of the court are two stone B-shaped boundary markers, which delineated the ritual race the pharaoh had to run, a literal demonstration of his fitness to rule. The race was part of the Jubilee Festival, or Heb-Sed, which usually occurred after 30 years' reign, and involved the pharaoh's symbolic rejuvenation and the recognition of his supremacy by officials from all over Egypt. The construction of the Heb-Sed featured within Zoser's funerary complex was therefore intended to perpetuate his revitalisation for eternity.

The buildings on the eastern side of the pyramid are also connected with the royal jubilee, and include the Heb-Sed (Jubilee) Court. Buildings on the east side of the court represent the shrines of Lower Egypt, and those on the west represent Upper Egypt. All were designed to house the spirits of Egypt's gods when they gathered to witness the rebirth of the pharaoh during his jubilee rituals.

North of the Heb-Sed Court are the House of the South and House of the North, representing the two main shrines of Upper and Lower Egypt, and symbolising the unity of the country. The heraldic plants of the two regions were chosen to decorate the column capitals: papyrus in the north and lotus in the south.

The House of the South also features one of the earliest examples of tourist graffiti. In the 47th year of Ramses II's reign, nearly 1500 years after Zoser's death, Hadnakhte, a treasury scribe, recorded his admiration for Zoser while 'on a pleasure trip west of Memphis' in about 1232 BC. His hieratic script, written in black ink, is preserved behind Perspex just inside the building's entrance.

 

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